Compare this body shape, particularly the bevelling around the horns, with a later Gibson Ripper – these later Rippers have a far more sculptured look about them, although this is not always easy to see in photographs. A total of Rippers were shipped in , with the vast majority in Natural finish as seen here, although many very early ones had a tobacco or cherry sunburst finish. See the Ripper shipping stats for further details. This is a really punchy bass; lots of Gibson low end, but with so much more higher frequencies than Gibson’s older basses. The Ripper body changed from this wider slab bodied bass, to a more sculptured version – see a Ripper with the newer body styling. The alder grain patterns on this Ripper are clearly visible through the natural finish. Like the other 70s-designed basses, controls are scratchplate mounted, so requiring no rear control-cavity access.
dating vintage gibson guitar pots
If you’re looking for an easy to play guitar, the action doesn’t get any lower than this baby. Excellent value and quality that’s typical of Korea today. This model was only made in one small run so there aren’t many of these around – most of the Harm 3 models feature the cats eye f-hole in a semi-hollow design while this model was a limited edition production model that’s no longer available. It features a solid archtop mahogany body, 22 fret maple set-neck with ebony fretboard and synthetic bone nut, side markers on the side of fretboard only, jumbo frets, flat The setup on this guitar is superb and the tone is warm and rich, very good choice for anything besides metal.
The Gibson Serial Number Decoder currently supports 6 formats from 4 Factories. For guitars made prior to use the extended search function. This new function will try to match the serial number against older formats, details required for an exact match are listed in yellow.
If you’re looking for an easy to play guitar, the action doesn’t get any lower than this baby. Excellent value and quality that’s typical of Korea today. This model was only made in one small run so there aren’t many of these around – most of the Harm 3 models feature the cats eye f-hole in a semi-hollow design while this model was a limited edition production model that’s no longer available.
It features a solid archtop mahogany body, 22 fret maple set-neck with ebony fretboard and synthetic bone nut, side markers on the side of fretboard only, jumbo frets, flat The setup on this guitar is superb and the tone is warm and rich, very good choice for anything besides metal. Last Guitar , pic2. More pics and full description at this link: Owned by Martin Miranda, my world-class tech, who was a close friend of Bernie and this was the last guitar that Bernie ever built, albeit not quite finished, and he was working on it the very day of his untimely passing.
Click the link for a full description and feel free to email Martin Miranda directly at the address on the page. A killer metal axe with cool looks with Tribal graphics, Widow headstock, and beveled edges which catch light and give it a very 3D look on stage.
Dating Guitars – Pot Codes
Here it is in “Iced Tea. With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully.
Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s. Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether. During the s and s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, creme-colored pickguard.
Gibson introduced a new pattern when they began producing solid body guitars. An ink stamp on the back of the headstock which included either 5 or 6 digits. The first digit is the year and the other numbers are production numbers.
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Gibson guitar potentiometer database
Return to the Main Index. Sometimes there just isn’t enough information on electric instruments and amps to allow them to be properely dated. And many people ask me to try and determine the year of their old amplifier, or to help them with the year of their older off-brand electric guitar. Since I primarily collect amps by Fender, and guitars by Gibson, Fender, Martin, National, Epiphone, Gretsch and Rickenbacker, I really can’t help them with these other less popular brands.
As you have probably noticed, there is plenty of information here to help date the brands that I am interested in.
Dating Vintage Guitars and Amps by Source-Date Code. 03/02/ Since I primarily collect amps by Fender, and guitars by Gibson, Fender, Martin, National, Epiphone, Gretsch and Rickenbacker, I really can’t help them with these other less popular brands. Gibson didn’t start using pots with source-date codes till or
In the early days he followed the tradition of Syd, using different slide techniques to create effects and soundscapes. Among these were a Fender pedal steel. The guitar has two necks with 8 strings on each David most likely used only 6 of them , Fender humbucker pickups, tone and volume knob and a neck selector switch as well as 10 pedals. However, David never used these and they were later taken off as seen in the DSotM documentary. The was first used for the recording of One of These Days Meddle I went off to Sound City, which was the in place to go in the west of London, and they had two Jedsons, a blonde one and a red one.
They were about 60 quid each. Little is known about Jedson but it seems that they were manufactured in Japan by several companies in the late 60s and early 70s under license from Dallas Arbiter. They mainly produced copies of Gibsons, Burns and Fender acoustics, electrics and lap steels. The red Jedson was used on Shine On during the Animals tour in The guitar was last used on High Hopes on the On an Island tour. Fender Deluxe 6 lap steel Just prior to the Division Bell tour the blonde Jedson was replaced by a similar Fender Deluxe 6 lap steel.
This is a 60s model based on the Stringmaster — the Deluxe only featured one neck. David used the guitar on Great Gig in the Sky with an open G chord.
HOFNER GUITAR PICKUPS
The main pickup types are listed out below with approximate dates of factory fitting: Two aluminium vertical adjustment wheel on threaded mountings were originally fitted between the base and main body of the pickup, see plastic cased bar pickup below , but unfortunately these are missing from this example. The centre of the pickup has been hollowed out, and five bar magnets surrounded by a hand-wound coil are fitted inside. They are of similar construction to the Rosewood Bar pickups above, apart from the material used for the case.
A single coil pickup, made by Franz Pix who set up a company in nearby Erlangen specifically to make electrical fittings for Hofner. The Toaster was again very similar internally to the previous Rosewood and Black Bar pickups, with five polepiece magnets set in putty and surrounded by a hand-wound coil.
Again dating does not seem to be possible with these pots. Guitars by Vox, Eko and Hagstrom all used Lesa potentiometers. CTS pots as fitted to a Gibson Melody Maker.
Four decades of guitars from Czechoslovakia. When I wrote my original article about Eastern European guitars [Guitars of the Cold War, Vintage Guitar Magazine, January ], I was still in the process of researching the roots of these instruments. In the first two installments, I had focused on Russia almost exclusively, though I did mention Jolana guitars briefly. Since then, a lot of new information has come to light, enough to dedicate this third installment of “Guitars Of The Cold War” exclusively to guitars built in Czechoslovakia.
This is their story. The Czech Republic has a rich musical instrument building heritage. The Bohemia region is renowned for string instrument manufacture. Some of the world’s best violins and cellos come from this part of the world. Amati of Kraslice has been in the instrument-manufacturing business for over years.
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But, with more than 75 years of shipping records in the Gibson books, and dozens of variations on numerical schemes used over the years, serial numbers sometimes do little to shed light on the origin of a mysterious Gibson. With vintage Gibsons selling at auction for as much as half a million dollars, Davidson will sometimes roll up his sleeves and poke around in the ledgers, but only as time allows.
The earliest volumes contain hundreds of yellowed pages covered front and back with rows of handwritten numbers. It can take Davidson several hours to locate a specific serial number, if he can find it at all. Even then, there may be four other guitars—of all different models—with the same number sequence.
When dating an instrument by the ‘pot code,’ keep two things in mind: The potentiometers must be original to the piece (new solder, or a date code that is off by ten or more years is a good giveaway to spot replacement pots); and the pot code only indicates when the potentiometer was manufactured!
Guitar pots to many beginning guitar builders and modifiers can be somewhat confusing. What type of pot do you need for a volume knob? What is the difference between a K and a K pot? There are countless questions that beginners have. In this article, I hope to give you a basic understanding of how guitar pots work and information to help you decide what pot to use on your next guitar project. First we should take a look at what potentiometers are before we talk about guitar pots specifically.
Pots are technically electro-magnetic transducers. What is that supposed to mean? Well, basically a pot is something that controls the resistance or flow of electricity. Potentiometers are designed to change or stop the flow of electricity when the dial or knob is turned.